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8 January 1836 – 25 June 1912. Most renowned painters.

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GOZZOLI, Benozzo
Scenes from the Life of St Francis (Scene 7, south wall) dfg

ID: 07011

GOZZOLI, Benozzo Scenes from the Life of St Francis (Scene 7, south wall) dfg
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GOZZOLI, Benozzo Scenes from the Life of St Francis (Scene 7, south wall) dfg


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GOZZOLI, Benozzo

Italian Early Renaissance Painter, 1420-1497 Italian Renaissance painter. Early in his career he assisted Lorenzo Ghiberti on the east doors of the Baptistery in Florence and Fra Angelico on frescoes in Florence, Rome, and Orvieto. His reputation today rests on the breathtaking fresco cycle The Journey of the Magi (1459 C 61) in the chapel of Florence's Medici-Riccardi Palace. His work as a whole was undistinguished, however. He painted several altarpieces and a series of 25 frescoes of Old Testament scenes   Related Paintings of GOZZOLI, Benozzo :. | Procession of the Middle King | Madonna and Child Giving Blessings dg | Adoration of the Magig dg | Scenes from the Life of St Francis (Scene 6, north wall) g | Madonna and Child with Sts John the Baptist, Peter, Jerome, and Paul dsgh |
Related Artists:
Horst Devens
painted Freiin Emma von Langenmantel-Rosenberg in 1873
Willem Claesz Heda
1594-1682 Dutch Willem Claesz Heda Galleries Dutch painter. He was a still-life painter, who, like Pieter Claesz., is noted for his monochrome breakfast-pieces, which are, however, more opulent than those of Claesz. Heda earliest dated work is a Vanitas (1621; The Hague, Mus. Bredius), which shows a still-life from a high viewpoint, composed of various objects bearing vanitas associations (e.g. a bowl of glowing embers, smoker requisites, an overturned glass and a skull); the colouring is in brownish-grey tones and represents one of the earliest examples of a Dutch monochrome still-life (monochrome refers to the range of tones, rather than of colours). Even in this early work Heda skill at painting textures is evident. A more balanced composition is achieved in another Still-life (1629; The Hague, Mauritshuis) and in the Breakfast Table (1631; Dresden, Gemeldegal. Alte Meister), in both of which the objects, set against a neutral background, are linked by a strong diagonal. The Mauritshuis still-life also gives an early indication of Heda interest in painting the effects of light. In 1631 he became a member of the Haarlem Guild of St Luke (of which he served as deacon on several occasions after 1637).
VERMEER VAN DELFT, Jan
Dutch Baroque Era Painter, 1632-1675






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